IM Youngzoo: The Late 故
Still from Test_Material, 2016. Single-channel video (video documentation), loop, 59 sec. Courtesy of the artist. © IM Youngzoo.
IM Youngzoo (b. 1982, Busan, South Korea) presents a multimedia environment in which ritualistic belief and modern technology are entwined. For the past decade, she has investigated how these seemingly antithetical systems both function as “survival technologies”: tools for sensing and enduring existential uncertainty. Driven by idiosyncratic, expansive research, her work positions personal and collective memories of shamanistic traditions within the context of Korea’s rapid techno-economic transformation.
The exhibition title pairs two honorifics for the deceased: “the late” in English and the Chinese 故 (“go”), contrasting the ideas of an adverse relationship to time and a deep, ancestral past. IM interprets the Korean funerary practice of gamyo—building “empty graves” to mislead death and therefore defer it—as a proto-metaverse interface. Much like virtual reality, her work renders scenes beyond human perception, turning the gallery into a site where death is displaced and reconfigured.
IM’s recent residency in New York, during which she conducted research on topics from migratory birds gone astray to death café communities, further extended her inquiry into the uncertainty of existence across disparate geographies. Bridging contrasting temporalities across cultures, the exhibition imparts a sense of fractured belief, whereby orientation is destabilized. This disorientation is embodied through the physical acts of standing, sitting, reclining, seeing, listening, and touching.
Exhibition booklet here
Exhibition Images
Exhibition Images
Production by Arreum Moon, Alex Darby, and the Hybrid Studio
Space design by Johoon Choi
Projection design and systems architecture by Carlos Johns-Dávila
Graphic design by Shin Shin
Joanna Seifter, “IM Youngzoo: The Late 故,” Brooklyn Rail
Jenny Wu, “IM Youngzoo: The Late 故,” ArtReview Asia
Shanti Escalante-De Mattei, “IM Youngzoo’s ‘The Late’ Blends a 1,254-Page Research Book and a 7-Channel Video Into a Meditation on Belief and Technology,” ARTnews
Sophie Lee, “IM Youngzoo’s New Solo Show Offers an Unexpected Way to Cheat Death,” CULTURED